Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. Quarto, publisher's forest green cloth, upper board blindstamped, spine stamped in pink, yellow endpapers, original illustrated dust jacket. “Company | TAIYO MACHINERY Co.,Ltd.” 日本語, www.taiyokikai.com/en/company/. A subjective history of graphic design (not necessarily the canon and certainly not in chronological order) by NCSU students for GD203 Graphic Design History course, http://brainmag.sendenkaigi.com/post/126991609085/power-of-design-yusaku-kamekura-demonstrated-at, http://www.designishistory.com/1960/yusaku-kamekura/, https://collection.maas.museum/object/349928, https://medium.com/@kailindong/yusaku-kamekura-biography-8b15c3fcb0c7, Lester Beall- Posters for the Rural Electrification Administration, Who’s Who in Graphic Design- Lester Beall. 2. Yusaku Kamekura Design Award Awarded to the year's most outstanding work and its creator. Cart Throughout the course of his life Kamekura was passionate and dedicated to design, as Shigeo Fukuda said, “he set out to make design a profession.”. Free shipping for many products! Skip to end of content Nikon SP, 1957. Yusaku Kamekura has 19 works online. True. At this point, he was now an international designer that was not only pushing the Japanese ideals of graphic design but creating them. This might be because of his goal of bridging the … His work was seen as contemporary as it was being designed around trends that, not only were big at the time but also simplistic in nature with minimal uses of color. But the President of the Japan Graphic Designers Association, Inc. (JAGDA) Yusaku Kamekura has accomplished this … by Yusaku Kamekura (Editor) 5.0 out of 5 stars 3 ratings. Yusaku Kamekura, born April 16, 1915, was a prominent designer of the post-war period. “He taught me how to see.” As the godfather of Japanese graphic art, he had inspired a lot of well-known designers such as Ikko Tanaka, Kazumasa Nagai, Akira Uno, Tadanori Yokko, Toshihiro Katayama, Tsunehisa Kimura, Seiji Shirai, and Kuniomi Uematsu. The year’s most outstanding work is selected from all designs included in the yearbook, regardless of the designer’s age or career background. Some of the covers would use photographs to emphasize certain aspects of the 2-D design, which Kamekura would use a lot more in the following decade. There are 6,128 graphic design works online. Square quarto. From Rago/Wright, Yusaku Kamekura, Paul Rand: His Work from 1946 to 1958 (1959), Printed paper, 10 × 10 1/4 in This issue includes a feature on boat interior design and modernist furniture. Consign with Artsy. Yusaku Kamekura, born April 16, 1915, was a prominent designer of the post-war period. Right out of his education, Kamekura went on to study under the German-trained, Japanese photographer, Yonosuke Natori. Cart Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab Free shipping for many products! He would often incorporate photography into his work to contrast against his simple geometric forms and layouts. “To communicate visual matters which often are remote, universal or complicated” was the task and goal that Kamekura had set for himself as a graphic designer. View Yusaku Kamekura’s artworks on artnet. Two years after his first one-man show, he organized the famed Graphic '55 exhibition at the Takashimaya department store, introducing design into the vocabulary of the populace. 132 pp. Overview. When world war II ended in 1945, Japan’s crushing defeat brought millions of its citizens to the brink of starvation, suffering, and labor unrest. Yusaku Kamekura (1915-1997) was one of the pioneers of Japanese graphic design who was at the forefront in promoting graphic design as an essential factor of modern society, culture and art, and whose achievements helped to establish the reputation of Japanese graphic design internationally. During this time was when Kamekura really cemented his unique take on graphic design and his understanding of the western styles of constructivism and Bauhaus. He served as President of Japan Graphic Designers Association (JAGDA) from 1978 to 1993. His posters often kept the traditional Japanese motifs and forms, but at the same time mixed with an internationally recognized use of image and concept, as he has once said that “we are responsible for first dissolving our traditions and then creating them anew.” When he worked for Nippon Kogaku(Nikon Cameras), his asymmetrical, flat, and simple posters with international style were widely used for Nikon’s advertisements. Hello, Sign in. Since 1989, Kamekura has been the editor, cover designer, and organizer of Creation Magazine, a series of publications limited to twenty issues which focus on international graphic design, art, and illustration work by a variety of artists. This project was an essential metaphor for the combination of western design trends with styles and symbols of the Japanese aesthetic. In 1950s, he visited designers in Kensai region of Japan and brought their work to the attention of Tokyo designers. The typography takes a backseat to most of the poster, which is a common trend with most of Yusaku Kamekura’s works. Yusaku Kamekura. Yusaku Kamekura is one of Japanese's greatest first generation of designers. 1. The two designers first met in 1954, after which This issue includes a feature on boat interior design and modernist furniture. Those early-life experience heavily influenced Kamekura with European western modern innovation in design: Bauhaus, Constructivism, Paul Rand, and the Art Deco posters of A.M. Cassandre. After the war, Kamekura began his professional design career and moved into the field of corporate symbols and posters. Sell art from your collection. 120 Artworks. The Yusaku Kamekura Design Award was established to honor achievements of the late Mr. Yusaku Kamekura, the first President of JAGDA, who had a continued influence on the designers’ community around the world, and to seek further development of graphic design. It was surely created with his determination of pursuing the best of all. He is probably best-known for his 1964 Tokyo Olympic Games posters as Japan was still culturally shaken from the aftermath of the WWII, and Kamekura was tasked with creating a successful poster campaign to propel his country into the post-war design elite. “Yusaku Kamekura.” ADC • Global Awards & Club, 1993, adcglobal.org/hall-of-fame/yusaku-kamekura/.https://collection.maas.museum/object/349928, “社団法人 日本グラフィックデザイナー協会 JAGDA.” JAGDA：About JAGDA, www.jagda.or.jp/en/about/.https://medium.com/@kailindong/yusaku-kamekura-biography-8b15c3fcb0c7, https://www.famouslogos.net/yusaku-kamekura/. On the contrast, the trademarks in Japan only followed the fashion but were not able to become classic and everlasting. After this project, Kamekura would continue his career focusing mostly on poster design. Title Personal Work Client Personal Work. Following that year, he became famous as a graphic designer and surprised the world with his famous Olympic poster in 1964 and the 1970 Osaka Expo poster. Uncompromising perfectionist, visionary and the profession's first undisputed leader, Yusaku Kamekura worked all his life to shape it. Kamekura had created corporate symbols and identities for a great number of well-established companies such as NTT(Nippon Telegraph and Telephone Corporation), Recuit, Nikon and Yamagiwa. Japan’s economy was focused very heavily on exports and people are more inclined to purchase things with good design. Artworks. Title Graphic Design Today, 1990 Client Personal Work. As Japan began to adopt western modern social structures and rebuild country with fast aggressive pace and modern capitalism, the concept of graphic design also began to sprout and develop as a bi-product of Japanese modernization process. 3. Yale University, Council on East Asian Studies, 2011, elischolar.library.yale.edu/cgi/viewcontent.cgi?referer=&httpsredir=1&article=1002&context=ceas_publication_series. 132 pp. The Palace Thief - Signed By Ethan Canin - First Edition Hardcover. Yusaku KamekuraPaul Rand: His Work from 1946 to 1958Japan, 1959printed paper10.25 w × 10 h in (26 × 25 cm)Signed and inscribed to interior page: [For Marion San with love Paul-San 5/26/59].Literature: A Designer's Art, Rand, pg. He tried to bring in this new concept of graphic design into the nation and propel the design industry in Japan. Yusaku Kamekura (1915-1997) was one of Japan's most prolific graphic designers. In 1978, Kamekura founded JAGDA(Japan Graphic Designes Association) to bring together professional designers with talent and served as first president. Biography/Work Experience (1915 - 1997) Yusaku Kamekura studied principles of constructivism at the Institute of New Architecture and Industrial Arts, Tokyo, a private institute established and run by Renshichiro Kawakita with the aim of introducing Bauhaus design theories in Japan. This might have influenced him a bit when he was approached about 2 years later to work on some branding aspects for the upcoming Olympics ceremony in Tokyo. 9.75"x 10.25" Some water staining present, condition noted Yusaku Kamekura Alfred A. Knopf 1959 Paul Rand: His Work From 1946 To 1958 By Yusaku Kamekura: $500. His designs find a synthesis between the rational, logical and functional creative systems of the west and the classical grace of traditional Japanese design. The year’s most outstanding work is selected from all designs included in the yearbook, regardless of the designer’s age or career background. Followers 17. Title Personal Work Client Personal Work. While carrying on the traditional Japanese expression and iconography, Kamekura adopted constructivism, firm design theory, and the simplicity of modernism. In 1951, he found the first graphic designer’s group in Japan, JAAC(Japanee Advertising Artist’s Club). Idea Magazine, issue #25, 1957 Issue devoted entirely to the Japan Advertising Artists Club winning work from 1957, and an overview of work from 1953 to 1956. Also, in 1993, he was inducted into the Tokyo and New York Art Directors Club (ADC). View all works. His use of color, while minimal, was bright and imaginative, especially when paired with his use of black backgrounds to bring out most of the color and the texture. Known as the “godfather of post war … His effort to introduce these new trends to the Japanese didn’t just stop at the work that he produce. Personal Work. Notable Works. And contemporary design development around the wrold, expanding the world, ” Ikko. He also worked for a joint advertising office headed by Hideshige Ota for several months year! Standout performance was definitely his work to contrast against his simple geometric forms and.. The Olympic rings and education Association ( JAGDA ) from 1978 to 1984, visited! 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